Emerging artist Wyatt Mills, who has just finished his solo exhibition Phantasmagoria, has certainly proven himself to be one to watch. His work takes on a life of its own in its whirlwind of traditional techniques paired with powerful messages that are sure to demand interpretation from every viewer. These interpretations can be similar or radically different; but the point is that his art provokes a strong emotional and thoughtful response through movement, composition and personal style. Phantasmagoria is Wyatt's commentary on media overstimulation. The idea behind his collection manifests itself in the powerful effect the images have on those who look at them. His images are overstimulating, but we are forced to face this overstimulation and see the damage it causes in our society. When paired with the media's use of hardly subliminal messages, its overstimulation effect point flies by and nearly knocks viewers off their feet. Although his show has ended, it is evident that he will be back with more. His paintings are a delight in person because photos don't provide the raw impact they have on their viewers. He creates a plot through his collage-like technique that is exciting to examine, and once the plot and content have been worked out, the true point of each piece begins to emerge. Like I said, every interpretation will be different. Sometimes his images are direct and powerful, sometimes they are subtle. Regardless, his artwork leaves its mark and has a powerful driving force that will not be forgotten. First of all, thank you for taking the time to do this interview with us. Can you tell us something about yourself (your childhood, when and how you started painting)? I was… halfway there… I moved to New York to study Fine Arts, thinking I would like to be a painter for a living. This led me to meet many inspiring fellow artists, friends and mentors who enlightened me about the potential of our world, art and change. It's been a constant snowball effect and I'm always excited to see what's next. What would you say to an aspiring artist? If you don't enjoy making your work, no one will enjoy watching it. Life begins at the end of your comfort zone. Paint over a painting when you're done. Get informed, read every book about every artist that inspires you. Listen to others, but take time and thought to verify their criticism before accepting their advice. Pretend you're 5 years old and make art. Pretend you're 100 years old and make art. As soon as your process becomes a chore, find a way to turn it into something you enjoy.