Oscar Wilde's The Importance of Being Earnest uses parody to mock the social standards of marriage, love, and mentality that were inflexible during the the Victorian age. Because he uses parody to mock these institutions, he shows the aberration of social demand by making thoughts of principles, ethics and habits strange. Attempting to address the flaws of the characters in this play, this piece also serves as an incredible form of criticism. "The opera really owes something to the recovery of the comic tradition." Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essayWilde was an ace in the art of transforming the English language to suit his contemptuous arguments and in this play he achieved it at a high level. The title of this piece is even a play on the words "Earnest" which can mean two distinct things. It can mean what is obvious and be the name of the real character, but it can also mean a feeling of seriousness and he then conveys that reality into reality for the characters. The play's two main characters, Jack and Algernon, went out of their way to be "Earnest" and "Earnest" in the play. They begin their relationship based on lies while waiting for the marriage of the young women they love. There is an inconsistency in the play when the two call themselves "Earnest", a name that proposes genuineness and seriousness, yet the two create stories to get around something or the other. Jack creates a brother called "Ernest" in the city who he uses as a "scapegoat" to leave his life as a modest and legitimate nation, while Algernon creates a companion called "Bunbury" to distance himself from his aunt's high places. parties of class society. She demonstrates her lack of enthusiasm for such an encounter when she tells Jack, “She'll put me next to Mary Farquhar, who's always flirting with her husband across the dinner table. It's not very pleasant. It looks so bad. It's simply washing clean laundry in public." The Importance of Being Earnest puts the spotlight on two main couples, Jack and Gwendolen and Algernon and Cecily. Both Gwendolen and Cecily wish to have a spouse named "Ernest". Both emphasize the importance of such an insignificant issue as the name. When Jack tries to tell Gwendolen that his real name is "Jack" and not "Ernest", she responds by saying, "Jack" No, there's almost no music in the name Jack, if anything, for sure. (Wilde,)The safest name is Ernest.' Wilde intentionally uses pretense in the play to misrepresent the mental limit of high society. It is seen here that Gwendolen adores Jack, however, she attaches greater meaning to senseless, superficial and minor matters, for example a name, something over which an individual has no influence. Furthermore, Cecily also fantasizes about worshiping someone called "Ernest". He plainly states to Algernon, “There is something in that name that seems to excite the supreme certainty.” I feel sorry for every poor bride whose groom is not called Ernest.'(Wilde,). Once again Wilde caricatures the organization of marriage, since it did not depend on adoration, but on increasingly vain and superficial criteria. Despite the fact that in this situation there is a distortion used to ridicule the vanity of privileged people, Wilde still emphasizes the point that both Gwendolen and Cecily might not have married the "men they had always wanted" if their names had been "Ernest ." In the third act of the play, when Cecily asks if he would last until he was thirty-five to get married (Wilde), despite the fact that Algy tells the truth, Cecily gruffly tells him that he cannot. don't stayconstantly watching. I hate to watch even five minutes for anyone. It makes me rather angry.'(Wilde) One might imagine this in the wake of imagining so much the man she says she adores, ready to get married, it will be a little help to investigate. To be sure, Wilde uses another couple, Miss Prism and Mr. Chasuble, as a contrast to show the difference between a relationship based on adoration and one based on other materialistic and superficial qualities. Miss Prism is by all accounts the protagonist who has no further thoughts in the play when it comes to marriage and love. Indeed, Algernon also appears to have additional thought processes. He has never met Cecily, yet when he sees her, in a split second he falls madly in love with her. Furthermore, his negative outlook on marriage in the opening scene, where he alludes to it as "depressing", seems to suddenly change when he meets Cecily. One can very well assume that Algernon's chapter 11 affects his appreciation of Cecily. Both Jack and Algernon are determined to dedicate themselves so as to embrace Gwendolen and Cecily. This also gives a certain degree of vanity to men, as they are not even a little annoyed that women place so much emphasis on their names. These couples seem to be wearing covers as they all look one way, however they seem to have some ulterior intentions behind their activities. Gwendolen and Cecily both introduce themselves as women when they first meet, calling each other sisters: "My first introductions to individuals are rarely off base." However, when they accept that they are stuck in the "Ernest" equivalent, there is an immediate frigidity between them. Gwendolen satirically says to Cecily, "I am happy to say that I never looked at a spade." Clearly, our social circles have generally been unique.' (Wilde) This is called 'camouflage' as the characters do not actually wear coverings, but allegorically claim overall to be someone they are not. There is a divide between truth and character and this shows that occasionally some laws in the public arena allow individuals to have a dual existence. Woman Bracknell is the main impetus behind the plot of The Importance of Being Earnest. She speaks to the women of privileged Victorian society and accepts that the high class ones should be in control. He has almost no appreciation of those who have no title, no money and see privileged society as a 'closed club'. ultimately, a lot of people don't have the right to be a part of it unless they were introduced naturally. She presents herself as a guardian of society as she forcefully directs who should marry whom in the play. In the main scene, Gwendolen cannot protect herself from the urge to marry Jack when he proposes to her. Donna Bracknell intervenes firmly, saying: "Sorry, you are not beholden to anyone." The moment you get in touch with someone, I or your father will advise you.' Lady Bracknell is described as an intense character who excludes restrictions. Although Gwendolen has to limit her, she doesn't have the solidarity to do so. Wilde uses Lady Bracknell to show a common blue blood that does not upset the standards of high society. One pattern in which he shows how estimates are changed and emphasis is placed on increasingly irrelevant issues is where Lady Bracknell meets Jack to talk about Gwendolen. In this scene, we see that instead of wondering if he loves Gwendolen (which would seem to be the more significant question); Lady Bracknell is all about her materialistic side. Examine Jack about his money, land, house and territory where he lives. He explains that it is important for Jack to have a house in the city in light of the fact that Gwendolen cannot live ina country house. It is also observed here that Lady Bracknell really deals with petty things, despite the fact that she is supposed to be a supporter of society's estimates. In any case, little consideration is given to the virtues. Instead, Lady Bracknell is disappointed by Jack's side of the house considered old-fashioned. He imagines that everyone's advantage will be like his and unobtrusively makes him understand: "The unfashionable side." I thought there was something. Any way can be changed without much effort.' The whole way Lady Bracknell meets Jack is just as if she is a being unrivaled by him. He writes down his answers to her questions in a notebook, just as if it were a meeting instead of a one-on-one meeting with the adoration of his girlfriend. The setting of the meeting reflects how Lady Bracknell views marriage. It's more and more like talking to someone about the business of being Gwendolen's significant other instead of getting to know the man her girlfriend is passionate about. After being astonished that Jack has been found and has no clue who his real guardians are, Lady Bracknell promptly rejects him, especially when she discovers that he has been found in a bag. The pretense continues when he tells Jack, "I strongly advise you, Mr. Worthing, to try to acquire some relatives as early as possible, and to make a determined effort to produce at least one parent, of either sex, before the season." it's over. This is a truly unimaginable solicitation on Lady Bracknell's part, as Jack clearly has no information about his true guardians. Although he knows that he urgently needs to marry Gwendolen, he does not hide his surprise at Lady Bracknell's urging: "Well, I don't see how I should know how to do it." I can make the bag at any time." This basically describes how insignificant the significant things are to Lady Bracknell and how significant the unimportant things are to her. This is a significant point that Oscar Wilde focuses on in this satire on habits, estimates are completely reversed. Another case of Lady Bracknell's insensitivity towards unprivileged people is that she is willing to choose not to see Cecily when she feels that Algernon is stuck inside her. She readily judges Cecily to be dependent on the fact that Jack is her keeper. However, her outlook immediately changes when Jack tells her that Cecily has one hundred and thirty thousand pounds in reserves: 'One hundred and thirty thousand pounds! Miss Cardew seems to be a very attractive young woman when I look at her.' Once again the emphasis is on the wealth of an individual as opposed to their character, seriousness or empathy for the other. Marriage is seen as a financial factor, whereby individuals marry for wealth or for monitor the wealth in their families, especially Lady Bracknell who speaks to the gatekeeper of high society She is however a poser and uses social ethics to her advantage. For example, she will not give Jack the chance to marry Gwendolen because of hers social foundations, but attempts to legitimize Algernon's failing marriage to the wealthy Cecily. Her social commitment is expressed when she also admits that she was not wealthy when she married her sweetheart. “Never speak unkindly of society, Algernon . Only people who can't get into it do. I got married to Lord Bracknell I had no assets." She also imagines that her status gives her the privilege of supporting Cecily and Algernon's marriage without asking Jack what he thinks of it. . Inevitably, the two parties come to an agreement and Jack's name turns out to really be Ernest and he is really Lady Bracknell's nephew. Wilde gives the usual cheerful conclusion in which everyone lives happily ever after and the harsh cover that Lady Bracknell.