IndexIntroductionAnalysis of the topicReferences IntroductionSalvador Dalì is one of the greatest surrealist artists who changed the world of art with his unique style and innovative concepts. Dali in the true sense of the word is a creative genius and a precocious artist who was influenced by metaphysics and cubism. Dali intelligently transforms his dreams and fantasies into great works of art open to interpretation by viewers. He introduced the concept of the paranoid critical method which refers to the use of the subconscious to enhance creativity. He uses the concept of illusion to convey his message and demonstrates the ingenuity and complexity of his artwork. He is a creative genius who has incorporated science into his art. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Dali has a unique and, at times, eccentric personality and attracts attention with his unusual clothing. He is not only a great artist but a mysterious and philosopher who contributed a lot to the surrealist movement with his great works of art. The use of illusion, the concept of the paranoid critical method, the incorporation of science into art, and his unique and creative personality are topics for further discussion in this essay. Topic AnalysisIllusions are noted as a disconnection between physical reality and subjective perception. Salvador Dali perfected this concept and created a series of ingenious works of art to challenge the viewer's perception of reality. He uses a concept of ambiguous illusions in which the subject produces contradictory perceptions as illustrated in Old Age, Adolescence, Childhood (oil on canvas 1940), Disappearing Images (1939) and many others. In the first painting he stimulates our brain to perceive the visual stimulation of two opposite images of a fisherwoman and life stages to create a sense of ambiguity. In the second painting it creates confusion in our mind by challenging our brain to make sense of the artwork. The concept of illusion has been widely used by artists to make people see double images of the same subject, but Dali is far ahead of his contemporaries. It encompasses our brain's unique ability to interpret visual stimulation in a disorderly manner from partial or interrupted information. Dali is a genius at creating an image within an image and with this the subject can be interpreted with two different meanings. His illusion-based artworks ask viewers a question and challenge them to interpretation and here comes the role of his ingenious creativity. His constant use of illusion in a work of art to blur the distinction between reality and fantasy, a hallmark of the Surrealist movement was exemplified by many of his famous paintings. The brain's ability to build connections between things that are not actually connected is essential to the artistic method of the "paranoid-critical method" invented by Dali. Dali shows his ability to create multiple images from a single work and this demonstrates the creativity of his visual cortex in perceiving more than one image from the single stimulus. Paranoia is a complex psychotic condition without hallucinations and without a personality disorder that results in a complex psychotic state delusion. Dali is known for introducing the concept of the paranoid critical method in the early 1930s by which he allows his paranoid state to create paintings and artworks with optical illusions and multiple images. This was Dali's great creative contribution to the Surrealist movement. Dalì states that “the moment is near when, through a process of a paranoid andactive, it will be possible (simultaneously with automatism and other passive states) to systematize the confusion and thus contribute to completely discrediting the world of reality” (Finkelstein 1975 ). He externalizes the “systematic confusion” in a work of art far from the world of reality. In the painting“Outskirts of the paranoid-critical city, he fantasizes about his wife and turns her anatomy into grapes, horses and skulls in a series of sketches. According to him, any subject has a minimal meaning, but the visual stimulus perceived by the brain translates into multiple images that are sometimes unrealistic and confusing. Dali argues that through a deliberate simulation of paranoia, anyone engaging in the paranoid-critical method would be able to demonstrate that a reality is not a fixed entity to which an individual responds, but rather a construct born of that individual's understanding of the world. The Weaning of Furniture Nutrition (1934) is another example of Dali's work based on this theory. In this work he shows the back of a lady who is probably a nurse sitting on the beach. There is a strange collection of objects around her such as wine bottles, coffee tables and boats. The lady's back is supported by a crutch. There is no relationship between the subjects and the objects and it probably comes from Dali's subconscious thinking. Dali's paintings from the 1930s are assumed to show active paranoid delirium, but it is also possible to consider them as reflecting some of Dali's concerns but using images that are undivided from Dali's fundamental way of seeing (Finkelstein 1975). the rare artist who mixed science and art from the very early stages of his creative life. He studies many scientific journals and his library is full of books on physics, quantum mechanics, origin of life, evolution and mathematics. He takes meticulous notes after reading books and uses this information for his creative art. Dalì began working on the principles of physics as early as the 1930s with numerous paintings such as Invisible Sleeping Woman, Horse, Lion (1930, Paranoid Face 1935 and Infinite Enigma in 1938). These paintings show Dali's creative genius using the principle of optics. . Move from one aspect of science to the next with a deeper understanding of science. He was very moved by the atomic bomb in Hiroshima and produced a famous work “Uranium and Atomica Melancholica Idyll” (1945). It shows a fighter dropping bombs in the center and the yellow flames showing the explosion. The most interesting part is the black background which represents the desperation and depressing feeling of human beings. Following this catastrophic event, he uses atoms and nuclear fusion in his artwork of the 1940s and 1950s. It unites religion and scientific imagery, guided intellectually by Dali's belief that the complex subatomic structure of the universe supports the existence of a superior creator. His involvement with science moves with time and produces more and more work based on the latest discoveries. He made a painting of the DNA molecule as part of his appreciation for Watson and Crick and titled the work Galacidalacitesoxiribunucleice - Acid (1963). In his work he combines his wife Gala's name and DNA together. Dali moves from the atom to DNA, from stereoscopic physics to catastrophe theory, and all these scientific facts are incorporated into his work during that period. Dali is a creative genius, an excellent artist, film producer, costume designer and a thinker but has a complex personality. He presents himself as a person with unpredictable, eccentric and publicity-seeking behavior who always tries to keep himself in the spotlight. Dali does not believe in discipline and is constantly disturbed by desires and conflicts in the..2009.01.020