Much Ado About Nothing by William Shakespeare, rich in metaphors and figurative clowning, walks the line of comedy and tragedy. While Shakespeare displays his exemplary spirit that defines his work as so distinctive and formulaic; brings probably the most memorable characters of the work; Beatrice and Benedick as well as their unstable and irreverent relationship with life. A modern audience finds their relationship partially satisfying. Shakespeare's use of structural and linguistic devices allows the audience to believe in the relationship between Benedick and Beatrice. These characteristics, taken in the context created by Shakespeare, further support their credibility, especially when taken in relation to Claudius and Hero. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay A Shakespearean audience would have considered Beatrice's actions and behavior outrageous. This is largely due to his outspoken nature and his position within a highly patriarchal hierarchy. Shakespeare places her alongside other characters to emphasize some characteristics that ultimately make her more suitable for marriage to Benedick. Beatrice's foul mouth and crass nature when discussing marriage prospects initially seemed shocking; “I would rather hear a dog bark at a crow than a man swear he loves me” Beatrice here objectifies men and places them between crows and dogs to demonstrate their insignificance. She thus revealed how she does not need the love of any man to be validated as a woman. Typically a patriarchal society was quick to objectify women and see them as an "object" to be seen rather than heard. This is demonstrated by Benedict who professes himself to be “A professed tyrant of their sex”. Therefore in the early stages of the play we view the couple as mutually incompatible, but in the end they can be perceived as more vital because Benedick softens his stance towards her, as evidenced by the sonnet “shaped by his own pure hand”. Benedick shows that he is willing to step outside of the patriarchal hierarchy to show his love and admiration for Beatrice despite being ridiculed by his male friends "In time the wild bull will bear the yoke." On several occasions in the game relationships are made wild and unpredictable through their explicit confrontation with animals, however both Benedick and Beatrice put this aside and reveal how they are willing to endure it out of love for each other. they share a war of words and as the story develops, the relationship between the two volatile lovers can be perceived as questionable for various reasons. Beatrice's integral existence seems to completely oppose this. Beatrice is often used as a pawn of understatement within the narrative and her role here can be seen as ambiguous in its significance for the play. Beatrice's early use of allusions allows the audience to understand the opera's genre as a reflection of the comic; “I'm sure he's in the fleet. I wish he had brought me on board." The double meaning and sexual connotations of the language used by Beatrice portray her as a comical and insightful figure within the plot and, as well as distinguishing her from the boring and bland women who are seen and not heard like Hero, her suggestion that she desires a intimate relationship with Benedick and reveals to her how she knows he is a good lover due to a past relationship. Further emphasized by his praise of Benedick; “And he is a good soldier for a lady, but is he for a gentleman?”. The literary devices such as Antanaclasis and Acuity as well as his repetitive use of; antonomasia; "Youplease, Mr. Mountanto is back” highlights how Beatrice is not marginalized like other women within the play, while adequately establishing comedic aspects that can root a lot of noise in this genre. Because of this clarity, it is also possible that the relationship between Benedick and Beatrice can be considered more viable for this very reason as a traditional comedy genre is traditionally known to end happily. A contemporary audience is more likely to be satisfied as Beatrice's power as a woman is accepted as the norm in modern society and the relationship dynamic is considered much more palatable. Furthermore, Shakespeare further proposes that Benedick and Beatrice are realistic and ultimately supposed to be together through familiarizing the audience to the context of their past relationship “for my lord hath lent me a while, and I have given in use, a double heart for only one”. This clearly highlights how the couple has had a previous relationship, which means that their two hearts are already connected by history and love. Despite the negative connotations and circumstances that may have occurred; the context of their relationship with each other, set over several years rather than compressed into the pressurized space of a few days and juxtaposed with the likes of Claudio and Hero, allows the audience to believe their love is genuine and that they really are. we should be together. They found each other. Likewise, being set in a place as gloriously pristine and perfect as Messina also contributes to the viability of the relationship between Benedick and Beatrice being successful and their arguments and harsh exchanges being resolved by the end of the play. The public; as soon as they are introduced into such a remote and flawless environment, they have the impression that everything will come to a happy and satisfying resolution. This is further reinforced by Leonato's announcement "Never has trouble come to my house in the likeness of your grace." The euphemistic title, which fully roots Much Ado in a comedic light, also seems to give vitality to the possibility of happiness with the explicit suggestion that "nothing" will go wrong and, despite any conflict, everything will be resolved in a positive way. Shakespeare through the structure seems to subtly suggest that the relationship between Benedick and Beatrice is destined to last and that by the end of the play they will end up together. Several parallels emerge between the two characters, such as the introduction of deception as the foundation of the plot that drives key events forward. For example, both characters find themselves in a situation where they are deceived by their friends in terms of their mutual feelings for each other, the accessibility of both events through dramatic irony allows the audience to see the characters as intertwined and destined for each other to the other. Both are referred to consecutively as animals in these scenes; “Set the hook well, this fish will bite” and “devour greedily the treacherous bait”. The similarities and lexical range revealed here with fishing and bait repetition; suggest how the two are in the dark and have let themselves be lured so easily by something that seems tempting, such as the promise of love, underlining how the two, despite their denial, actually desire love but it is actually about a harmless deception on which they are both hooked. Furthermore, Benedick makes it clear that he truly desires Beatrice's affection instead of her "contempt"; “He speaks with daggers and every word pierces.” The use of a metaphor to describe such a violent and painful act reveals the effect of the words on Benedict by highlighting his vulnerability. Although at first glance it may seem that such encounters further separate the two, the immense pain and the.