An auteur is someone who dominates the process of making a film to the point that we can call the director of a film the auteur or author of the film. This means that the director will give his own interpretation or personal touch to the film as he is the main person responsible for creating the film. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay In my opinion, Francois Truffaut and Alfred Hitchcock should be considered “auteurs” because of their cinematic style and dominant position in cinema. As I have observed throughout this semester, there are many techniques and styles demonstrated by filmmakers that make their films distinguishable from one another. Some tools I learned in previous units include lighting, camera angles, focal lengths, character placement, and many more which led me to the conclusion that these directors should be considered auteurs. In the films "Psycho" and "400 Blows" directed by Truffaut and Hitchcock, they are known to use techniques such as mis-en-scene and specific camera angles which is how directors control scenes throughout the film which can sometimes help you foreshadow what might happen next, get the viewer to think a certain way, or even show a special atmosphere of the film with the lighting and camera focal lengths to really focus on a particular person or object. An example of this would be in the movie “400 Blows” when the camera is high in the sky looking down on everyone walking down the street. The camera is directly angled and positioned to force us to look at the store front and the people walking across the street. Specific characteristics of this scene are the length of the clip, the height of the camera crew, and the positioning of the shot of the scene. The producer left the viewer to watch the students crossing the street and walking along the street. In the previous shots the camera keeps an eye on the group of students and follows them closely until the final long shot. The only thing that struck me about this film was the fact that it wasn't in color. Color makes it a little easier for us to see harsh shadows and dramatic lighting, while it's a little harder to identify with a black film. and white film. In Hitchcock's film "Psycho", there are many suspenseful scenes where Alfred really keeps the viewers on their toes and many scenes are very suspenseful. Camera placement and lighting determine how the audience will look and feel about a scene. A notable scene from "Psycho" is when we see Marion surrounded by soft light, with a round painting on the wall and the overall framing is inviting, while Norman is sitting on the chair in the corner with a harsh light on his body that reflects on the wall and the square and raw frames in the background. They're in the same room, but the shots make the viewer feel differently about each. Please note: this is just an example. Get a custom paper from our expert writers now. Get a Custom Essay Lighting is also a big thing, she has soft light coming from the desk lamp and light shining directly on him with a dark reflection on the wall and the blacks are definitely deeper. Hitchcock also uses very direct camera angles to introduce a topic. For example, Marion is framed at head level with soft lighting, while Norman is shot from further back and is positioned towards the corner of the frame to reveal the strange photos on the wall and the.,, 25(1), 112-122.