The deliberate manipulation of textual form definitively reveals the significance of people's experiences of landscape in shaping individual identity and the values ​​of social groups. Colm Toibin's novel Brooklyn, a unique blend of historical fiction and bildungsroman, uses characterization and narrative voice to emphasize the importance of changing landscapes to the migrant experience. Poetic voice and structure are vehicles in Oodgeroo Noonuccal's lyric poem "Then and Now" that highlights the importance of an Aboriginal character's interactions with the landscape in obscuring or shaping identity. Thus a culmination of compositional choices regarding textual form highlights the importance of people's interactions with landscapes in shaping social identity and values. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Purposeful construction of texts reveals the critical role of an individual's interactions with real landscapes in shaping their identity. In Brooklyn, Toibin demonstrates the significant impact of changing landscapes on the protagonist's identity through corresponding changes in characterization. The novel opens in Enniscorthy with Eilis “sitting at the window” while “noticing her sister”, the passive connotations associated with these verbs immediately introducing her acquiescent characterization. He just aspires to have “the same friends and neighbors, the same routines on the same streets.” His unchanging experience of Enniscorthy, exemplified by the repetition of “same,” has a significantly hindering effect on his personal growth. Forced to interact with the new landscape of Liverpool before the sea crossing, Eilis adopts “a tone used by a woman in full possession of herself”. He recognizes that this was "something he could not have done" in Enniscorthy, the high mode underlining his newfound recognition of Enniscorthy's rigid social structure as unconducive to self-discovery. Eilis' characterization continues to evolve after her assimilation into Brooklyn in part three. Toibin emphasizes that “she liked her room and her routine,” the repetition of this possessive adjective highlights her satisfaction with the sense of ownership and independence that her environment facilitates. Yet Toibin demonstrates at the novel's conclusion that the primary meaning of Eilis's transitory landscape experiences is the disconnection that comes to define her identity. Toibin ends the novel with the image of Eilis looking out the window “as the train moved south” following her ambivalent choice to return to Brooklyn. This framing device marks a return to Eilis's initial characterization in which she lacks the ability to meaningfully interact with Enniscorthy or Brooklyn. Therefore Toibin uses characterization as a component of textual form to highlight the importance of changing landscapes in impacting an individual's identity. While Toibin exploits characterization as a primary component of the novel form, Noonuccal calls on figurative language as a vehicle to emphasize the destructive effect of engaging with the urban landscape on a person's Aboriginal identity. His “dreams are shattered by the racing car/the screeching tram and the whistling train”, this sudden intrusion of a tricolon of vehicles underlines his hostile relationship with the urban landscape. Noonuccal incorporates direct speech to document an outside observer's superficial observations regarding her assimilation into the urban landscape: "Ain't she lucky to have a good job!" Although the cityscape here isconceptualized as a place of economic opportunity, this exclamation highlights the irony that the significance of his relocation is its detrimental effect on his sense of identity. The extremely damaging impact of Noonuccal's engagement with the urban landscape is evident in the closing lines of "Then and Now." She states that it was “better when I only had a duffle bag. Better when I had nothing but happiness. Anaphora highlights the disintegration of Noonuccal's sense of self and personal happiness which highlights the significance of his experiences with the urban landscape. Thus elements of representation unique to the respective textual forms of Brooklyn and “Then and Now” are powerful for conveying the meaning of an individual's experience of real landscapes in shaping one's identity. Exploiting aspects of textual form, composers highlight the importance of interactions with imagined and remembered landscapes in highlighting the link between the values ​​of social groups and the attributes of their prevailing landscape. Conveyed through Toibin's distinctive narrative voice, the characters' interactions with America through imagination or memory are significant as they reveal the inextricable relationship between the nature of a landscape and the social values ​​of its inhabitants. Before her emigration, Eilis perceived America as “so totally foreign in its systems,” but also with an “almost compensatory glasm” and an “element of romance.” Toibin's free and indirect narrative style demonstrates that Eilis's recognition of America as a young and progressive landscape is linked to the value that American society places on the external image, indicated by the beautiful images. During the sea crossing, Eilis' roommate emphasizes the importance of physical appearance in gaining entry into the "land of the free and the brave." By alluding to the American national anthem through dialogue, another key aspect of the narrative voice, Georgina's recollection of her experience in Brooklyn reveals the importance of external appearance in achieving progress in American society. Toibin's use of free indirect discourse extends to Tony's imagined landscape of Long Island, as he tells Eilis that "the house would be theirs...they could design it themselves." The dynamism of the New York landscape demonstrated through Tony's imagined interactions with an undeveloped Long Island highlights the values ​​of risk-taking and daring esteemed by the American Dream. Experiencing an American beach through imagination, Jim remarks to Eilis that "you'd find all kinds of people there." The dialogue here reveals that the significance of his imagined experience of Brooklyn is the impression of the cultural diversity and dynamism of America. Thus, Toibin's manipulation of the narrative voice as part of the novel form emphasizes the imagined and remembered experiences of the landscape as significant in revealing the mutual relationship between the landscape and the values ​​of its inhabitants. Reliving the Australian natural landscape through memory, Noonuccal through poetic voice reinforces its significance in shaping the predominant values ​​of the Aboriginal community. Noonuccal deliberately chooses first-person narration in this dramatic monologue so that the Aboriginal experience of the natural Australian landscape is focused through a single perspective. His first-hand observations also reflect the oral tradition of integral storytelling of the Aboriginal tradition, Noonuccal's overall use of poetic voice emphasizing the cultural values ​​linked to the landscape. Furthermore, the use of Noonuccal diction deliberately recalls Aboriginal dialect. The character resembles the “corroboree” and the.