In particular, the playwright's use of an extended metaphor that personifies the sea as "hungry", conceptually links love to the ocean, whereby the characters are influenced by love as a form of destiny. Throughout Twelfth Night, fate and its concepts exemplify a predetermined and forced end that defines the conclusion of the show. Controversially, then, a typical comic structure reflects similar suggestions of fate; the ending must be forced if we know how Twelfth Night (or any other typical comedy) will end before it ends: the wedding. By relating the performance to "a twist of fate of birth" (Howard, 1542) Shakespeare actualizes the performance with reality: the Elizabethan arranged marriage was the social normality. Indeed, proposing that Shakespeare's conclusion seems rather forced allows us to examine the metaphor of Feste's closing utterance. The final lines of Twelfth Night trigger emotions of remorse, ending the chaos of the previous Green World by remembering, "it rains, it rains every day", as the world will continue as it always has. So and so, Shakespeare completes the aforementioned cyclical distribution of the play, an Old World being overtaken by the Green World and then once again by the New World – reiterating the ruthless structure of contemporary comedy. This is quite narrow