Knowing the real Rosencrantz, Guildenstern and Hamlet Hamlet written by the well-known William Shakespeare is one of the most established works that has been identified to capture the intensity and elegance of the main character 'Hamlet'. The story of Hamlet as a dramatic, reckless but ferocious character, and the death of the two characters "Rosencrantz" and "Guildenstern" who were assigned the order to undertake the task of Hamlet's death. On the one hand, Shakespeare's play is based on the main character "Hamlet", while T. Stoppard's play is based on the journey of the other two characters who find themselves in the inevitable situation of doomed death. The purpose of this essay is to identify scenarios that will allow me to compare and contrast the plays. The essay examines the situations in which Hamlet is associated with Rosencrantz and Guildenstern and how distinct the characters are in themselves. Furthermore, the essay also deals with the revelation made by Shakespeare in Stoppard through his two characters "Rosencrantz and Guildenstern". The prince of Denmark – Hamlet – is the main character of Shakespeare's play. He is the grandson of Claudius, the current king and son of the late king who was later revealed to have been murdered. Although in Hamlet the main character is not entirely tied to the deaths of the courtiers Guildenstern and Rosencrantz, Stoppard's play has a completely different story to talk about. The play begins with Hamlet showing signs of pain and sadness that reveal his character's primary tones to be pale and intense. He presents the traits of the tragic hero although his character has shades of brutality, indecision and haste...... middle of paper ......dead, pg. 41). Shakespeare's play about Hamlet and Stoppard about Hamlet's two characters - Rosencrantz and Guildenstern - give a deeper insight into absurdity than Rosencrantz winning almost ninety-two times at once. They also present a clear difference between reality and art through the detailed representation of the players. The point where the player's outrageous behavior makes Guildenstern very angry to the point of stabbing the player, describes the lack of control in the character and how it was shown in the character himself. Reading the play Hamlet and Rosencrantz & Guildenstern are Dead, it can be said that both plays depend on each other and, in fact, are intertwined together. It brings out the characters through the 'metatheatre' staged by both the players and the characters who cannot find their true identity.
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