“Call and Response”, which is when the DJ and dancers communicate to maintain a certain hip hop flow and to encourage enthusiasm from the audience. The movements, along with the music, work together to emphasize the rapid breaks in the rhythm. Dancers perform moves involving somersaults, upside-down moves, and rotations, along with "drops" that were smooth transitions to "forward steps, backward steps, dips, and corkscrews."" One dancer even performs a "chair lock," which was originally one of the most popular break dance moves, and is when the arms and upper body support the body while the legs and lower half of the body flow freely (Forman & Neal, 2012, p.58). moves require a lot of momentum and balance, which according to the famous b-boy Ken Swift, is an essential aspect of this hip hop movement (Forman & Neal, 2012, p. 59). In both films, b-boying or breakdancing they are a way to resolve some type of conflict or competition through the ability to "attack ruthlessly but still see one's opponents as distinct and valuable human beings" and avoid any unnecessary violence that already occurs at drastic rates in central city neighborhoods (Chang, 2006, p.