Its unresolved plot allows for open interpretation, making Blow-Up one of the most analyzed films to come out of the European arthouse movement. Antonioni's fervent use of existentialism and isolationism throughout the film resonated with disillusioned counterculture youth during its initial release, while remaining a reflection of those attitudes towards audiences today. For better or worse, Thomas' desperate desire for self-fulfillment is rarely found in contemporary films, providing Blow-up with a unique place in cinematic history.