Imagery in MacbethIn Shakespeare's tragedy, Macbeth, the use of imagery is linked to the character development and theme of the entire play. From the beginning of the work the image of darkness is introduced. Darkness was invoked by Banquo, Macbeth and Lady Macbeth. Banquo, in his part to Macbeth says, But it is strange and often, to bring us to our harm, / the instruments of darkness tell us truths, / overcome us with honest trifles, to betray us in the deepest consequences (I.ii.131 -135). Banquo is shown to be immediately aware that witches are associated with darkness. He chooses not to follow the witches' prophecies, but to be wary and reluctant. He is not ready to engage with witches, as he sees them as a dark force. However, Macbeth is opportunistic and the image of darkness reveals his deepest and darkest desires. This is shown in the part of Macbeth, The Prince of Cumberland! that is a step/on which I must fall or jump,/because it lies in my way. Stars, hide your fires;/ Let not the light see my black and deep longings" (I.iv.55-58). It becomes evident that it has bothered Macbeth greatly to hear that Malcolm has been appointed as King Duncan's successor. In answer, Macbeth calls upon the darkness to hide his evil thoughts. Lady Macbeth also summons the forces of darkness to ensure that the heavens do not see her having these thoughts, Come, thick night, / And wrap yourself in the darkest smoke of hell. , / Let not my sharp knife see the wound it makes, / Nor the sky peep through the blanket of darkness, / To cry, "Hold, hold" (Iv53-57! At the end of the first act, we can see that Macbeth and Lady Macbeth have... half of the paper... fit and have never felt comfortable with a role obtained through evil means Shakespeare's images are not only connected to his characters and theme, but are also woven into a moral message. Shakespeare warns his audience to refrain from getting involved in the pool of blood and darkness. One will never be satisfied with his successes if he achieves them through ungodly means. Self-gratification comes from the honest pursuit of worthwhile goals. Works Cited Shakespeare, William, Macbeth, Toronto: Harcourt Brace and Company, Inc, 1988. Webster, Noah, New Twentieth Century Dictionary of the English Language, New York: Rockville House Publishers, Inc, 1965. "The Use of Imagery by part of Shakespeare". 1997: 1-4. Prestigious network. Internet. December 10, 2001. "Symbolism in Macbeth." 1996: 1-3. Stanford Online Archives. Internet. December 10th. 2001.