Also, I will look at the feedback from the band's fans and see if the people who buy the albums and go to the concerts also recognize the band's successes as something of merit, or see their music in terms of how the patriarchy tells them to do it (i.e. as a guilty pleasure). This is where I will apply the idea of ​​discourses (whole systems of thought, speech and knowledge production that structure institutional and social practices, (O'Brien & Szeman, 2014), ISA and feminist ideas of patriarchy that stimulate Gill's challenges of postfeminist power assumptions that "women have not overthrown but rather internalized the disciplinary regime that dictates particular and obligatory ways of looking and acting" (O'Brien & Szeman, 2014), the idea that not only the band is not given respect musically, but perhaps these same young women convince themselves that their music is more of a “guilty pleasure” than “quality”.